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Bestiaries are a particularly characteristic product of medieval England, and give a unique insight into the medieval mind. Richly illuminated and lavishly produced, they were luxury objects for noble families. Their three-fold purpose was to provide a natural history of birds, beasts and fishes, to draw moral examples from animal behaviour (the industrious bee, the stubborn ass), and to reveal a mystical meaning - the phoenix, for instance, as a symbol ofChrist's resurrection. This Bestiary, MS. Bodley 764, was produced around the middle of the thirteenth century and is of singular beauty and interest. The lively illustrations have the freedom and naturalistic qualityof the later Gothic style, and make dazzling use of colour. This book reproduces the 136 illuminations to the same size and in the same place as the original manuscript, fitting the text around them. Richard Barber's translation from the original Latin is a delight to read, capturing both the serious intent of the manuscript and its charm.
- Sales Rank: #362591 in Books
- Brand: Brand: Boydell Press
- Published on: 2013-10-17
- Original language: English
- Number of items: 1
- Dimensions: 8.51" h x .58" w x 5.45" l, .91 pounds
- Binding: Paperback
- 206 pages
- Used Book in Good Condition
Review
The translation is pellucid, and the colourful late-gothic illustrations really delightful. Epic begets epic: stupendous and thought-provoking. FORTEAN TIMES An invaluable resource for readers and writers who aspire to understand how mediaeval men and women viewed the natural world, both actual and fantastical. HISTORICAL NOVELS REVIEW Excellent translation from the Latin original makes for fascinating reading about beasts, real and imaginary, of the medieval world. The most delightful picture-book about animals you'll ever see. EVENING STANDARD Hugely enjoyable, this English version of a 13th-century manuscript in the Bodleian Library offers every kind of beast... The illustrations are gorgeous and well reproduced. INDEPENDENT ON SUNDAY
From the Back Cover
Bestiaries are a particularly characteristic product of medieval England, and give a unique insight into the medieval mind. Richly illuminated and lavishly produced, they were luxury objects for noble families. Their three-fold purpose was to provide a natural history of birds, beasts and fishes, to draw moral examples from animal behaviour (the industrious bee, the stubborn ass), and to reveal a mystical meaning -- the phoenix, for instance, as a symbol of Christ's resurrection.
This Bestiary, MS. Bodley 764, was produced around the middle of the thirteenth century and is of singular beauty and interest. The lively illustrations have the freedom and naturalistic quality of the later Gothic style, and make dazzling use of colour. The 136 illuminations are reproduced to the same size and in the same place as in the original manuscript, and the text fitted around them. Richard Barber's translation from the original Latin is a delight to read, capturing both the serious intent of the manuscript and its charm.
About the Author
RICHARD BARBER has written many books on the history of and life in the middle ages, from his Somerset Maugham Award-winning The Knight and Chivalry, by way of biographies of Henry II and the Black Prince, to an anthology of Arthurian literature from England, France and Germany, Arthurian Legends, and an account of the historical Arthur, King Arthur: Hero and Legend. His latest book is Myths and Legends of the British Isles, retellings of the foundation myths of Britain.
Most helpful customer reviews
38 of 38 people found the following review helpful.
A medieval, Gothic bestiary
By Ashtar Command
"Bestiary" is a translation of a medieval book about animals, originally written in Latin during the 13th century, somewhere in England. The main source for this bestiary was another bestiary, compiled during the 12th century, and also translated to English as "The Book of Beasts". Thus, the text of the two books are very similar. If you just want to buy one of them, I recommend "Bestiary". The reason? The illustrations are much better, and they are all in full color! Indeed, the illustrations are taken straight from the original manuscript, making "Bestiary" not just a translation of an ancient book, but also an example of medieval (Gothic) art.
We are used to a modern, scientific view of nature and animals. The Middle Ages saw things differently. Animals weren't seen as random products of blind, natural forces. They were created by God for the edification of the human race. Indeed, Adam named all animals in the Garden of Eden, each name reflecting their true character. Animals were not just brute beasts. They carried a moral message, directed to sinful humanity. They also carried a hidden, mystical meaning, which somehow paralleled the message of the Bible itself! All the world was seen as an enchanted, magical place, with each thing a symbol for deeper, moral or spiritual, realities.
This explains the rather strange style of "Bestiary". It's not just a collection of (often badly distorted) zoological facts. It's also a book of moral edification. The anonymous author often digresses from the "real" subject (the animals), and starts to preach Christian morality to his readers. That, too, was considered part of the subject. After a short description of the pig, the author attacks sinful gluttons and unclean heretics. The author also claims that coots take care of eagle chicks that have been rejected by their parents. The moral lesson? Animals are better than humans, who treat the children of strangers with out-most cruelty! The bestiary further claims that lions don't kill humans who prostrate before them, that they liberate captive humans, and that they never attack women. Once again, the lesson is clear: the lion has a Christian morality, while man too often hasn't. One of my favorite birds, the jackdaw, is apparently an apt symbol for chattering philosophers and heretics, not to mention gossipy and greedy men!
The mystical meaning of various animals is the most far-fetched aspect of the bestiary. All of nature somehow proved the Christian message of salvation. The virgin birth of Christ was "proven" by the claim that female vultures (!) gave birth without sexual intercourse. The resurrection was paralleled by the fiery death and re-birth of the Phoenix. The bestiary further claims that female lions give birth to stillborn cubs, but after three days, the male lion breaths life into them. This points to the resurrection of Jesus, and also to the Biblical passage "He couched as a lion, who shall raise him up?" (Genesis 49:9).
What particularly strikes a modern reader of "Bestiary" is the dismally low level of real zoological knowledge available during the 13th century. To a large extent, the bestiary was a collection of tall-tales. Indeed, many of them seem deliberately tailored to produce Christian parallels, such as the legend of lion cubs being "resurrected" on the third day. Of course, this fable-like quality makes "Bestiary" a very entertaining read. Thus, we learn that the beaver will bite off his own testicles if pursued by hunters, that a certain antelope in Africa can change its colors like a chameleon, that lions fear white roosters, or that barnacle geese grow from sea-weed! Some of the creatures in the bestiary are purely imaginery, such as unicorns, dragons, the manticore, and the eale (a deer with movable horns). Only the bat seems to be reasonably correctly described, without legendary or mystical accretions.
"Bestiary" is an entertaining read, an excellent work of art due to its full-color illustrations, and offers a fascinating look at the medieval world-view and mentality.
But if you want to know what's really shaking in the animal world, please buy a modern science book, LOL.
37 of 37 people found the following review helpful.
Just a Mom...
By Lynda Yoder
Look, I am just a mom. I am not some specialist in Medieval art or a religious commentator. I am just a mom. I have a six year old son who thinks the sun rises and set on this book. And with a little parental editing I read (most of) it aloud to him. The pictures are fantastic and detailed. It was just what I was looking for when my son requested a book on mythical beast. These animals appear in fairy tails and fantasy games and he wanted more detail on what they were exactly. A lot of discussion about what is real, what was misunderstood and what was just plain made up. A great spring board for critical thinking for a kid. It has been absconded by older brother who is 27 years old. My sons and I have enjoyed this book thoroughly.
41 of 42 people found the following review helpful.
An affordable treat for bibliophiles
By A Customer
There is something quintessentially appealing about the rare reproduction which manages to preserve so much of the spirit of the original text. The translation, which is quite clear, is embedded with the original illuminations found in the manuscript, in their original size and location relative to the page. The result is surprisingly refreshing; the decision to eschew modern layout conventions was a wise one. This is not a scholarly edition per se, and some may quibble with occasional word choice. But this medievalist, for one, has no problem with such decisions to leave out mention of the Physiologus; true translation is as much art as science, and anyone doing serious research on this book would (should) be using the original Latin anyway. This is a highly successful translation, and frankly a beautiful book, the sort that should occupy a well-worn spot on shelves of scholars and enthusiasts alike.
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